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the catalogue #174 |
1978 Nat Young Surf Design Pintail 6 ft 5" Shaped by Nat Young | #174 |
Length :
|
6
|
ft |
5
|
inches | L2: | |
Width :
|
18 1/4
|
inches |
Wide Point :
|
+6 1/2
|
inches | |
Nose :
|
12
|
inches |
Tail :
|
11
|
inches | |
Thickness :
|
3
|
inches |
Pod :
|
0
|
inches | |
Nose Lift :
|
inches |
Tail Lift :
|
inches | |||
Weight :
|
kilos |
Volume :
|
litres | |||
Other :
|
inches |
FIN 7 1/2' x 5" base @ 6 1/2 inches Laminated Greenough Stage IV by Nat Young |
DECOR DECAL Deck: Large Lady/flower illustration and NatYoung Surf Design black script at sweet spot. Bottom: NatYoung Surf Design black script on stringer at sweet spot MARKINGS Deck: NAT pencil at tail Bottom: COLOUR Deck: yellow spray with pink spray on rails |
DESIGN HISTORY
Two early pintail design precedents
were shaped for Nat Young by Harold Iggy at Weber Surfboards for
the Hawaiian winter of 1968-1969 and ridden to 5th place in that
year's Duke Kahanamoku Contest.
The two boards had identical large
sun decals on the deck.
The following winter (1969-1970):
"We ended up in Hanalei Bay and
got to witness Joey Cabell surf Hanalei at 18 to 20 feet.
I stood on the deck of the
Princeton Hotel and watched him, 800 metres off- shore on
the board that he'd shaped himself called "White Ghost", 9-
foot 6-inches long with down rails tucked under to an edge
and a completely flat bottom.
It was a memorable experience
indeed, and for the next few years Joey was to be my hero
and guiding light as far as equipment was concerned.
...
The Smirnoff contest kicked off
at Makaha Beach in the last week of November (1969)and I was using a beautiful
8-foot 6-inch down-rail gun inspired by Cabell, with a
9-foot board as backup.
With no surfboard company to
appease I'd got Cabell's shaper Steve Teau to shape both of
the boards before I left Kauai."
-Young: Nat's Nat (1998)
page 228.
In early 1971, Nat Young had
relocated to a rural acreage outside Byron Bay on the NSW North
Coast where he:
" turned the property's old
farm-machinery shed into a surfboard factory, building the
glassing stands myself and, with Garth Murphy's help, a
shaping stand.
It was really satisfying
building boards at home; I did everything myself and there
were always plenty of orders, what with sales to a growing
number of local friends and Ray Richards, from Newcastle,
who asked me to make boards for his shop whenever I had time
between custom orders.
I modelled them on the board I
was riding at that time, a scaled-down version of those
Cabell had been surfing in Kauai; 7-foot long by 201/2
inches wide, a double-ended pintail with soft, low rails
tucked under to an edge.
I coloured them all in soft
pastels and used very small pivot fins, as with that design
I found that I didn't need to use much fin at all, the drive
coming from the bottom shape and low rails.
Over the course of twelve
months I kept reducing the fin size until I'd got it down to
only 7-inches deep and 3-inches wide at the base.
...
I believe that this period in
Byron was the best I've surfed in my life."
-Young: Nat's Nat (1998)
page 236.
It was at this time that the footage of Nat at Broken Head was shot by Alby Falzon for inclusion in The Morning of the Earth, see below.
The design featured a compressed
pintailgun template, 2nd phase concave bottom, soft box rails
with a hard edge, large nose lift and a small Greenough single
fin.
The early models Byron Bay models
usually featured grey/blue pigment laminate and this was
continued when the boards were initially manufactured for
Bennett Surfboards in Brookvale.
Later Sydney models, first at
Bennetts and later at Nat's Mona Vale factory, had sprayed
blanks.
While the early models often had, as
on this example, one of several large Oriental decals
(see below), by the mid-1970s this was replaced by a large naked
female and floral illustration, see #151.
These design was manufactured,
virtually unchanged until 1981, thereafter it was reconfigured
by inverting the position of the wide point, widening the tail
and installing a tri-fin set up.
See Nat Young Tri fin # 57.
OTHER NAT YOUNG BOARDS
Pintails #20,
#151 and #174
- images below.
Also see Nat Young Tri fin # 57, 1981 and Nat Young Tri fin # 27, 1981
COMMENTS : Replacement board for #20
REFERENCES
Magazine Article :
1. Falzon, Albert and
Murphy, Garth (Photographers) :"Nat and His Boards and His
Surfing"
Tracks magazine October 1971,
page 14.
Note Pintail and Squaretail
("Backhand") model.
2. Nat Young : ''Ten
Years in the Planning''
Surfing World magazine Vol 26
#4 1978 pages 24 - 26
Photos by Bruce Channon, image below.
Books:
1. Nat
Young’s
Book of Surfing page 64.
2. Nat :
Surfing Fundamentals Pages 100 -
101.
Same text as # 1. above. Includes
reprint of Pintail/Backhand photograph in Magazines # 1, noted
above.
3. Nat’s
Nat
and that’s that
Extensive references and
photographs, note pages 228 to 236.
Film :
1. Alby Falzon: The
Morning
of the Earth, 1972.
http://www.youtube.com/watch?v=mRJu4KjATKA
While MOTE is packed
with an incredible amount of high quality surfing performances,
the sequence featuring Nat Young (in his regulation red
boardshorts/longsleeve vest) at Broken Head, NSW, is arguably
the most outstanding.
In extremely fast breaking waves, Nat
fails to make his first two when he attempts to speed trim
though sections.
Subsequently, he is more successful
by forgoing the straight line approach and rides at the curl
speed by maintaining a series of fluid turns whereby the board
is constantly accelerating coming out of the top turns.
This effectively was the ultimate
expression of McTavish's Break Out
From the Straight Line Theory, formulated
in late 1967.
See Source Documents: "LADIES
AND
GENTLEMEN AND CHILDREN OF THE SUN.."
Through the
1970s this approach would typify shortboard surfing, with
straight-line surfing generally confined to riding deep in the
curl.
Towards the end
of the 1970s, South African Shaun Tomson extended performance
levels by advancing the method whereby he was "turning
inside the tube", see Bill Delany's Free
Ride (1977).
2. Alby Falzon: Crystal
Voyager, 1973
Nat in California on green 8 ft Pat
Morgan Surfboard (three circles decal) with a long base keel
fin.
3. David Sumpter: On
Any Morning, 1974
Nat Young in Bali and 1972 Coke
Contest, Fairy Bower.
4. NatYoung: Fall Line,
1979
Victoria with Wayne Lynch.
CONDITION: 5
Skydog and Backhand Square Tail, circa 1971 Photograph : Alby Falzon
|
Nat Young and Pintail, 1978 Photo : Bruce Channon Surfing World magazine Vol 26 # 4 1978 page 24 |
#151 1977 6 ft 8'' |
|
Lady and Flower (Nat Young Surf Design), circa 1975. |
Handshaped by Nat Young, circa 1979. (Nat Young's) Fall Line, circa 1985. Decal contributed by Daniel, November 2011. |
Nat Young's Fall Line Surf and
Ski 129 Pittwater Road Mona Vale Cnr, Burwood and Punchbowl Roads, Belfield |
Nat Young Surf Design 6ft 3-4" Pin-tail with fin box, Number 87. The original owner, Phil, reported that he was present at the Energy factory in Brookvale board when Nat Young shaped board number #87. He also noted that the board is marked as 6'4", even though it actually measures 6'3". This might suggest that 6ft 4" was the bottom length? |
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