Introduction
Although published in the Australian-International edition, featuring the surfing photograph on the cover, it is unclear if the article was published in the US edition.

In the article, Fred Van Dyke recalled his years of commitment to big-wave riding and reflected on the psychology of his peers on the North Shore in the 1960s, generously described by the editor as exhibiting extreme mental imbalance.
Controversially, Van Dyke's comments were highlighted with the by-line many others are latent homosexuals on page 44.
Matt Warshaw's notes in his Encyclopedia that "the nuances of (Van Dyke's) argument were lost, and he was soon being greeted along the North Shore with shouts of faggot! and queer-boy!"

The article is accompanied by a collection of photographs, mostly in  colour and likely shot at least a year before publication, featuring the North Shore.
Some of the photographs are not reproduced in this transcript.
The surfers are unidentified, however, the wave in double page spread of Waimea (pages 36-37) is clearly Eddie Aikau.
This photograph by Dr. Don James appears to be shot from a helicopter, the usual angle highlighting the massive volume of moving water.
In the cover photograph of Sunset Beach (or Waimea Bay?) by Neil Leifer another surfer has been cropped out of the shot, his wake visible far inside the surfer on the red board.

 
The portrait of Fred Van Dyke (page 44) previously appeared in Life Magazine in 1963, in an article by staff photographer George Silk.
See 1963 George Silk with Fred Van Dyke : Surfing the North Shore.

Born in New Zealand, Silk's career as a war photographer began in 1939 as a combat cameraman for the Australian government, covering action in the Middle East, North Africa and Greece.
Trapped with the famed Desert Rats at Tobruk in Libya, he was captured by German Field Marshal Erwin Rommel's forces but escaped 10 days later.
He began working for Life magazine in 1943, serving as a staff photojournalist for the next 30 years.
Silk was named magazine photographer of the year four times by the National Press Photographers Association.

Over the years, surfing featured in a number of the US and/or international editions of Life:

Surfing in California, 7 February 1938.	California Surfing, 26 August 1940.	Aquatic Adventure Down Under, 15 September 1958.	Riding the Wild Waves, 24 May 1963.
Dick Dale, King of "Surfing Music", August 30, 1963.	Skateboards, June 5, 1964.	Joyce Hoffman-surfing champ, 14 October 1966.	(Surfing Photos), 20 March 1967.
Murf the Surf, and jewel robbery, 21 April 1967.	The Peril of the Surf, March? 1968.	Big Surf- Surf pool in Arizona, 6 March 1970.

There is a selection of surfing photographs from the Life-Time archives online at:
http://time.com/3879962/international-surfing-day-classic-photos-of-surfers-from-hawaii-to-peru/#3

Also see:
http://encyclopediaofsurfing.com/entries/van-dyke-fred
http://www.fredvandyke.com/books.htm
https://en.wikipedia.org/wiki/Life_(magazine)
https://en.wikipedia.org/wiki/George_Silk

In December 2017, my introduction and transcription of the article was fully reproduced, with some of the original green text, without any accreditation at:
http://www.gaysurfers.net/fred-van-dyke-the-peril-of-surf-1968/

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Page 33

A daring sport pits man against a deadly force The Peril of Surf Photograph by Leroy Grannis, Waimea Bay shore-break.

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Page 34                                The moment of exhilaration — and sometimes disaster Few natural forces are more powerful than a monstrous breaking wave. And few sports are more daring than the act of riding this wild and deadly turbulence on a slim board. Surfing requires an amount of insanity ranging from ordinary foolhardiness to the more extreme mental imbalance described on pages 42-47. Racing down the precipice (above) of a crackling, thunderous mountain of water is one of  the  most  exhilarating experiences known to man—and it can sometimes mean engulfing disaster (pages 38-40). On the North Shore of Oahu, Hawaii, where most of these pictures were taken, the surf can attain its greatest power. Only in the past two decades have surfers dared to ride the monster waves of The Banzai Pipeline and some of the other North Shore maelstroms. One of the first, Dick Cross, was overwhelmed by a 30-foot thunderer. His body was never found. As if dropping off the edge of a precipice, two surfers take the plunge. Photograph by Dr. Don James, Waimea Bay.

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Pages 36-37

Just ahead of the mountain crest, a surfer rides past Waimea's rocky shore. Eddie Aikau, photograph by Dr. Don James.

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Pages 38-39                                                                The big surf makes spectacular - and dangerous wipeouts

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Page 40                                                                        Engulfed by the watery avalanche, a surfer makes a plunge to the bottom

Surfing is what's happening.
There's nothing else for me.
On a red-hot, glassy day of surf I don't care who stands in my way. I will surf.
Maybe I've got to lie, cut out on my job, anything for the moment when the surf is up.
I can't stay away from it.
Something snaps inside me.
I get diarrhea.
My pulse goes out of control.
Responsibility, society—it can all get lost.
The surf's up and that's where you'll find me.

On the surf scene, evenly staggered waves march around the outside point.
I see my friends paddle frantically.
Three of them stand up and drop into position.
They ride the wave shoreward, and then paddle out to the group.
We sit and talk about close to nothing.
One guy engages me in war conversation.
I see a wave from my periphery, and nervously inch away from the drone of the voice.
The wave builds, leaps high above the horizon.
I stroke down into its belly, stand up, and angle for the shoulder.

The whole thing lets loose, top to bottom, and I am covered by tons of white water.
Blackness engulfs me.
I am 20 feet beneath the surface in a tearing Bendix (sic) of ocean.
My blood oxygen wanes to a critical point.
My ears feel like they will burst from pressure.
And then the worst is over.

The wave has passed me by.
I grapple to the surface and swim shoreward.
I have ridden, been wiped out, and survived another 25-foot Waimea Bay surf.
Where does it end?
I mean, how many times do I have to prove myself out there?
What pushes me?
Why does one surf?

You can accept any reasons you want for why we surf.
You might praise that untouched beauty of the surf itself.
You may say that it makes you feel like something big; it may be the biggest thing you have found to fill your life with meaning. There is nothing like being locked in the face of a wave.
You are so far back in the tube that the wave literally surrounds you.
It is like running through a tunnel.
That's the essence.

And when the wave is gone, and you are waiting for the next one, the sun beats down into your flesh.
You feel warm all over.
The sea sits like an oiled surface and the water is so clear that you can see the coral bottom as you ride over the reef.
Yes, this is beauty—grandeur to me, also.
But that's not the whole trip.

What about the cameramen who film the waves, the reporters who write for the surf magazines?
And how about the ad men on Madison Avenue, the clothes manufacturers, all the others who have made surfing into a business?
I hear young men, who surf seven days a week, five to six hours a day, talk about nothing but surf, surf, surf.
I have seen families abandoned for surf.
I have seen potential doctors, lawyers, artists completely drop out of society just because they found surfing.
And I have seen more than a few, who have already reached professional success, leave their offices and take up the life on the beach, surfing.
One newly wed abandoned his wife on a cliff overlooking the surf, while he paddled out to surf until dark.
I heard of a fellow in California who was having trouble with his wife be-



cause he was spending too much time away from her surf­ing.
She came down on the beach one day and said it's ei­ther me or the board.
The fel­low picked up his board, stuck it in the sand next to his wife and stood back.
He scanned them both, then picked up the board and paddled out to sea.
That was that.

One famous surfer says that the main reason he surfs is be­cause of the closeness to na­ture he feels, and the strength and health he derives from the sport.
This may be true, but I also suspect that many men ride waves to get away from the pressures of society, their jobs, their families. I think that some surfers really do ride the waves for the pure pleasure of being one with the sea.
However, I feel that these surfers who ride for these uncommercial reasons are not in the top group, or at least are not recognized as such.
In fact, you may never meet them, because they will be surfing some unknown break half a mile out at sea.
I have known some of these Thoreau-like beings.
They shape their own boards.
They go surf­ing to find themselves.
They paddle out and feel like they are on their own.
They know that survival depends on their own conditioning factors.
Some of these men still surf and they are unknown to the camera or the surf magazines.
But the sur­fer who is well known and gives out with the interview about health and love of the sea and all that junk is not looking be­neath the surface.
Or perhaps he has looked and is afraid of what he saw.

I struggled my way to the brief bits of recognition that I have enjoyed.
I kidded myself that there was all this challenge in the sport.
I blew a marriage, a job, and all of my material possessions to ride the big waves in Hawaii.
I became a slave to the recognition group.
I never made a date for any­thing without considering whether or not the surf might be up.
I spent hundreds of dollars on surfing pictures of my­self.
I searched for years for the perfect board, the one that would catapult me into instant glory.
I worked constantly at one thing; I had conceived an insatiable appetite for being recognized as one of the top surfers.
And then one night I stood in front of an audience in California.

I was being introduced as a big wave rider from Hawaii, to 800 people.
I looked into the sea of faces, all surfers.
I smelled the booze and cigarets.
I saw the lust for prominence in their faces.
I thought: Is this what it is all about?
Is this why I pushed to the top?
And then I looked back.

I looked back to what I had been involved in for those many years.
There were my roommates on the North Shore.
We lived communally.
We didn't even associate with any­one unless he was a surfer of some prominence.
Some tried to break into our clique.
We dismissed them as "kuks."
We were like the kids down the street, with the gang and the clubhouse.
And despite the fact that we weren't 10 years old am more, our society accepted the same exclusivity which banned girls from the club.
There were girl surfers, all right, some of them champions.
That was the point: they were surf­ers first, girls last.

I can hear my former room­mates saying, what do you mean?
We chased girls.
Yeh, you chased girls; and you even had some dates—when the surf was not up, or when you had not fallen into the sack exhaust­ed from eight hours of surfing.

What I saw now was that the few girls who hung around us, or the ones we picked up in the bars, were simply props.
They were a necessary part of the picture which the maga­zines and movies wanted.
The girls made you look more man­ly.
They made people on the outside wish that they could be like you.
But you never really got involved with these props.
They were something to use, to bolster your ego, to make you look like something that perhaps you were not.

And I looked at the way I lived.
My roommates and I were all above 21 when we ar­rived in the islands.
I had wrecked my marriage.
The oth­er guys who came and stayed, some for longer than others, had never had sustained rela­tionships with girls.
In looking at the thing, I feel that we were in a sort of latency period.
We were like the 10-year-olds, but were over 20 and still in the ju­venile gang stage.
What we could have been called were la­tent homosexuals.
We were not making it anywhere but in the surfing world.
And we were be­ing hero-worshiped.
We had forged a society that made props of some and false heroes of others.

I can hear you surfers saying I'm insane.
O.K., tell me about your woodie station wagon, with all the surf stickers on the windows.
Why do you have to wear the baggies just at a cer­tain height on your hips?
Tell me why you came in from surf­ing when the cameramen left.

Yes, I was not making it in the real world.
It went back to my childhood, when I never felt adequate with people.
Surf­ing was beautiful.
I did not have to deal with the mundane prob­lems of getting along, and pro­ducing.
There I was out on the ocean, and all my cares were way back there in the unsafe world, the competitive, cruel, uncaring world. But why did I                                   CONTINUED

Author Van Dyke was one of the pioneers in daring the huge Waimea Bay waves and has been con­sultant and actor in many surfing movies. He teaches at Punahou School in Oahu, and thus can still surf whenever school is out. [Photograph by George Silk]

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Page 46                                                                                                                SURFING continued

tremble so inwardly when I heard that the surf was huge on the North Shore?
What about the diarrhea, the short­ness of breath as I paddled out for a wave?
Wasn't it all worth it when the cameraman caught a fantastic wipeout?
Wouldn't that fame satiate my ego?
The first picture didn't, and the next didn't, and the last one made little difference.

My breakthrough came when I faced the fact that I was scared and that all of my friends were too.
And all the guys I hero-worshiped, because of their guts to take off in the impossi­ble positions on the biggest waves, were more scared than I.
The more they were inse­cure, the more they were driv­en to ride the bigger waves.
The same held for the hotdoggers: the spins, the reverse take-offs, the ten over the nose, the ridiculous acrobatics which expressed their frenetic attempt to be accepted, were all man­ifestations of the inner fear we try to avoid facing.

I know that when some of them did face the inner fear, and did something about facing people, facing their manli­ness, they more or less left surf­ing behind—or at least they put it into the proper perspective.

Still there are those guys who are fanatically engrossed in surfing, winning contests, spon­soring clothes, posing for the cameraman.
What keeps them hung up on this?
I can, in part, blame society.
I can blame pro­moters and advertisers.
I can blame parents.
I can say that the schools are such pressure factories that kids are forced to find something to release their hostility, or their love. I do want to blame our particu­lar culture.
How does a young man feel when he is told sub­tly that it is more advantageous, more acceptable to compete in crushing sports than it is to play and have fun?
What hap­pens to a boy who sees only violence on TV, and exploited sex in movies?
What happens to his libido when he sees that the sensitive side of himself is admonished?
How does he cope with the assumption that boys who are real boys do not cry when hurt, and that if you are going to be successful, you've got to beat the other guy to the punch?
What is more beautiful than surfing, where one can retreat from all that, and yet still be recognized as a man?

Page 47

And so it is that many a sur­fer, all subconsciously, finds himself in a latent-homosexual stage of arrested development.
He lives only with males, and relates only with males.
His companionship, except for ego-centered dates, is strictly man-integrated.
He talks about girls as objects, and treats them as no more than that.
He takes girls to the beach, and leaves them to sit there and watch him perform, hour after hour.
What is she getting out of the relationship?
Is the surfer per­haps looking for a safe mother substitute?
Look mommy, look at the ride I just got.
Look how much better it was than brother's.

Consider a typical winter on the North Shore.
In Octo­ber there are some 200 surfers who come from all over the world to surf on the big waves of Sunset Beach and Waimea Bay.
Most of these surfers come from California, although there are many more from Australia each year.
These surfers are mostly in the age group from 18 to 22.
They come with very little pocket money, and are forced to pool their resources, renting one house for as many as 10 to 12.
They share cook­ing, bathroom and money.
What is the result?
For a lot of them, inevitably, the problems they ran away from follow them.

One guy has a big brother complex, so he starts fighting with the biggest guy in the group.
Another has an unre­solved father problem, so con­flicts develop between him and the oldest or bossiest guy in the house.
Add to this the ar­tificial environment of no women around, and as soon as girls come to the occasional party, the unit becomes divided and you have the beginning ol a real conflict.

One result of all this is thai a lot of kids who just came over to surf find out thai they don't want anything to do willi this scene, and they return to their homes and school long before winter.
Many of those who stick it out are the latent homosexuals, and some "I them never grow out of ll I know.
I was one of them, once.

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Life Australia, 1 April 1968.   In Color: The Peril of Surf A veteran surfer asks: Are surfers really sick? Cover photograph of Sunset Beach (Waimea Bay?) by Neil Leifer for Sports Illustrated. Note the surfboard wake far inside the surfer on the red board. A second surfer has been cropped out of the shot. Articles in the International edition often appeared in the US edition, usually a week or two before. I cannot confirm if this was the case with this article. Below: Life Magazine 1 April 1968. First cover featuring President Lyndon Johnson, replaced by Dr. Martin Luther King following his assassination. The US edition originally featured President Lyndon Johnson on the cover, announcing that he would not nominate again for the Presidency, but was quickly replaced with a photograph of Dr. Martin Luther King following his assassination. ????